Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no longer have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Kent du Pre has done Tuto Avion En Papier Qui Vole Bien such work with Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, however the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Uchiyama Origami Heart Box With Lid is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved exclusively by folding.
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has already been used and one can make certain of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa Avion En Papier Facile Planeur at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and that we are approaching sculpture rather than Origami.
Bateau en papier
Typically the associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to Modèle Avion En Papier Pliage show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of paper each folded to represent some part of the pet and then brought collectively. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have made an appearance for folding a monster from a amount of squares of different sizes.
Comment faire un avion en papier
Inside the most
extreme mixtures of water and paper we are, naturally , in the world of fun which is obviously an open-ended art. DecoratingThe easiest step from a single coloring is one side colored and one white or plain. A great deal of modern Origami exploits this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes and so forth. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary Origami Crane Tattoo (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form organic beef use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.