By this I mean that we will no longer have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported Origami Crane Easy as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Bateau En Papier avoid the complexities of a model achieved exclusively by folding.
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have came out occasionally, however the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent point out of the techniques is by Toshie Takahama who refers Origami Box Instructions to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has been used and one can be certain of the materials remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated
Fleur en papier
The trimming out of holes and so on. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Avion En Papier Simple A Realiser Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form organic beef use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that We am familiar with is by Toyoaki Kawai.
Bateau en papier
The associated arts are Weaving cloth Bateau En Papier Video and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the animal and then brought Avion En Papier Planeur Qui Vole Longtemps together. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have came out for folding a dragon from a quantity of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations of water and document we are, of course , in the world of fun which is evidently an open-ended art. DecoratingThe most basic step from your single coloring is one side colored and one white or plain. A great deal of modern Origami exploits this colour difference. A new delightful example is Mary Homewood's Robin. We
can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bow and finally string.